Plaintext
Share, Reuse, Remix —
Legally
N E W S L E T T E R
http://creativecommons.org Issue No. 16 January – March 2010
A note from our CEO, Joi Ito:
When I last wrote in this space six months ago I said that Creative Commons had reached a thresh-
old of adoption where we can now legitimately call CC a global standard. With your help, we’ve con-
tinued to increase our reach and depth of impact. Two evocative examples from just the month of
February: CC Egypt has published draft licenses for public discussion, while the state of Victoria in
Australia has commited to using CC as the default licensing system for its public sector information.
I believe that education is the area in which CC can make the most immediate and beneficial im-
pact as a global standard. The potential impact of digitally enabled education is huge; however, this
potential will not be reached until teachers, companies, and institutions share and collaborate at a
larger scale. CC provides the necessary legal and technical infrastructure for ensuring that educa-
tional resources are not only accessible, but adaptable, interoperable, and discoverable.
We have many exciting initiatives in the open education space this year, addressing legal, policy, and
technology issues, all imbued with a global vision. In support of this vision we’ve added Catherine
Casserly to CC’s board of directors. Cathy, now a senior partner at The Carnegie Foundation for the
Advancement of Teaching, is one of the most important figures in the Open Educational Resources
(OER) movement as well as a supporter of CC from its beginning from her previous position as Di-
rector of the Open Educational Resources Initiative at the William and Flora Hewlett Foundation.
We count on your continued support to build and promote the commons needed to foster creativity
and innovation in education, science, and culture. Please keep in touch and spread the word.
Sincerely,
Joi Ito
Chief Executive Officer
Creative Commons
CC Newsletter — Issue No. 16
Photo by Mizuka,
CC BY 2.0
2
Creative Commons News
Welcoming Cathy Casserly to the executing on our strengths and core competen-
cies, constantly looking for ways to streamline
Creative Commons Board operations while empowering our vast interna-
of Directors tional community, and avoiding mission creep
however tempting.
From Joi Ito, CEO of Creative Commons: “The
Creative Commons board Over the last six months we’ve been putting
of directors has elected these thoughts into plans and action. Last sum-
Cathy Casserly as a new mer we integrated the team supporting our inter-
member. Cathy has been a national affiliates with our core team of experts
foremost champion of the based in San Francisco, eliminating two of our
Open Educational Resourc- three Berlin-based staff positions. Over the next
es (OER) movement for several months most of our science team (Sci-
Photo by Joi Ito,
a decade and of Creative ence Commons) will move from Boston to San
CC BY 2.0
Commons since its incep- Francisco to align message and operations with
tion. She served as Director of Open Educational our core, also. This month, we are integrating our
Resources Initiative at the William and Flora education team (known heretofore as CC Learn).
Hewlett Foundation. A year ago she joined The
Carnegie Foundation for the Advancement of In the coming months we’ll be making further an-
Teaching as Senior Partner. Cathy has become nouncements about our comprehensive integra-
a great personal friend and invaluable men- tion of education and science into our core activi-
tor as I ramp up my involvement in CC’s open ties and messaging. Exciting developments are
education strategy. It is a great honor for me on the horizon with respect to new and enhanced
to welcome Cathy to the Creative Commons legal and technical tools as well as explanatory
board of directors.” materials and support for policy development in
education and science. More importantly we’ll be
Full story: http://creativecommons.org/weblog/ asking for your support and input, including spe-
entry/20358 cific feedback on designs, prototypes, messages,
and initiatives as they develop. Most importantly,
we will be asking for your input on whether we’re
Planning for Sustainable and on the right track. Have something to say about
CC? We’re listening!
Strategic Impact
Creative Commons recently celebrated its sev- Full story: creativecommons.org/weblog/en-
enth anniversary, and in light of our continued try/20292, creativecommons.org/weblog/en-
growth and maturation, we are ever mindful of try/20329
CC Newsletter — Issue No. 16
how CC can best ensure that as an organization
we continue to increase our impact sustain-
ably. As a provider of critical infrastructure A Special Thanks to Lulu.com
that millions and more depend upon, this is our
responsibility. Sustainability is not only or first The Creative Commons gratefully acknowledges
a financial issue — though we will ask for your support on behalf of Lulu.com in the form of a
continued support in funding the organization $50,000 annual five-year grant. The grant is
— but depends on staying focused on our goals, from the Beal Fund of the Triangle Community
3
Foundation. This substantial investment dem- ber Hal Abelson points us to Modeling a Para-
onstrates Lulu’s commitment to participatory digm Shift: From Producer Innovation to User and
culture and we are particularly grateful for it. Open Collaborative Innovation, an important new
“Lulu works every day to solve the problems of paper by Carliss Y. Baldwin and Eric von Hippel.
authors, educators, researchers and other con- In it they make the case for policy that does not
tent creators,” said Bob Young, Lulu’s founder cripple the commons, and examine underlying
and CEO. “We’re proud to support Creative theory. If you’re interested in the theoretical case
Commons and its innovative solutions to this for the ascendancy of innovation and creativity
particularly complex issue. Its goal is the same in the commons — and for policy that does not
as ours; to encourage and enable creators to cripple the commons — read, or at least skim
bring their works to the world.” these highly readable 29 pages.
Full story: http://creativecommons.org/weblog/ Full story: http://creativecommons.org/weblog/
entry/20110 entry/19891
Egyptian License Draft Open for CC@7: Wrap-up of Creative
Public Discussion Commons’ 7th Birthday Round
The past year witnessed some major achieve- the World
ments for Creative Commons in the Arab world.
Highlights included Al Jazeera’s adoption of CC From a “Happy Birthday” rendition in Korean to
BY for the world’s first broadcast-quality online apple schnapps in Reykjavik and a Free Culture
repository and CC Jordan’s substantial efforts debate in Poland, Creative Commons’ seventh
on the first Arabic license port. 2010 promises birthday was celebrated this month with original-
more exciting developments for the rapidly- ity and cheerful camaraderie. The global parties
growing CC community in the Arab world. kicked off in Beijing at the opening of “Remix and
Today the legal team from CC Egypt, headed by Share”, a contemporary art exhibition featuring
Hala Essalmawi, produced the first BY-NC-SA 60 acclaimed artists across the country. After-
license draft adapted to Egyptian law. Thanks ward a discussion forum explored the event’s
to the ongoing efforts of Hala and her team, theme, led by CC Project Leads and representa-
supported by CC Jordan’s Rami Olwan and Ziad tives from Taiwan, Hong Kong, Australia, and
Maraqa, the Egyptian draft is now ready for others in the Asia-Pacific region. The icing on the
public discussion. The public discussion is an cake appeared literally later that evening when
open forum where everyone — from lawyers to CC China Mainland volunteers threw a surprise CC
active license users, from linguists to translators birthday party. “Happiness was seen on every-
— is invited to contribute. one’s face,” the team recounts.
Read the whole story to find out how and learn Read about the worldwide celebration: http://
more: http://creativecommons.org/weblog/en- creativecommons.org/weblog/entry/19965
try/20415
CC Newsletter — Issue No. 16
Intellectual Backing for the CC
Paradigm Shift
“Intellectual property rights grants can be used
as the basis for licenses that help keep innovation
open as well as keep it closed.” Our board mem-
4
CC News in Government
Commons Attribution Only license (CC BY). The
National Archives, a department responsible for
“setting standards and supporting innovation
in information and records management across
the UK,” has realigned the terms and conditions
of data.gov.uk to accommodate this shift. Data.
gov.uk is “an online point of access for gov-
ernment-held non-personal data.” All content
Photo by Brian Giesen, CC BY 2.0 on the site is now available for reuse under CC
BY. This step expresses the UK’s commitment
to opening its data, as they work towards a
Victorian Government Commits to Creative Commons model that is more open
than their former Click-Use Licenses. From their
CC as Default Licensing System
blog post: “This is the first major step towards
The UK government recently made a splash the adoption of a non-transactional, Creative
with its move towards opening government Commons style approach to licensing the re-use
data. Now CC Australia’s Jessica Coates shares of government information.”
a promising government initiative in her home
country. The Victorian Government has become Full story: http://creativecommons.org/weblog/
the first Australian government to commit to entry/20228
using Creative Commons as the default licens-
ing system for its public sector information
(PSI). Many of its reports and other works will
use CC BY, which she explains is becoming the
preferred license for Australian PSI: “The com-
mitment is part of the Government’s response
to its Economic Development and Infrastruc-
ture Committee’s Inquiry into Improving Access
to Victorian Public Sector Information and
Data, which recommended that the Victorian
Government adopt a “hybrid public sector in-
formation licensing model comprising Creative
Commons and a tailored suite of licences for
restricted materials.”
Full story: http://creativecommons.org/weblog/
CC Newsletter — Issue No. 16
entry/20619
UK Moves Towards Opening
Government Data
In a step towards openness, the UK has opened
up its data to be interoperable with the Creative
5
CC News in Arts & Media
place to connect survivors with their family and
loved ones. In all its good intention, this led to
numerous websites that, in the words of Marc
Fest of the Knight Foundation, became “silos”
of information with no ability to interact. As
La Stampa and Global Voices a result, Fest – who is VP of Communications
– sent an impassioned plea to news organiza-
Online Collaborate on Voci Globali
tions to utilize an open-source Google app that
Voci Globali is a new collaboration between was not only collecting similar information but
Italian newspaper La Stampa and Global Voices releasing the data under a CC Attribution license
Online that aims to expose Italian audiences to (CC BY). Read more about this and other efforts
citizen media from around the world. GVO will employing the open ideals of Creative Commons
assist in translating select international blogs licensing to ensure a more efficient and long-
into Italian, releasing the stories they publish term relief effort in Haiti:
under a Creative Commons Attribution license.
http://creativecommons.org/weblog/en-
Full story: http://creativecommons.org/weblog/ try/20216, http://creativecommons.org/weblog/
entry/20765 entry/20350
CC Talks with Brooklyn Museum Daily Life in Iraq — New Footage
at Al Jazeera
Regarding openness and sharing, the Brooklyn
Museum is an exemplary institution. They are Last year, Al Jazeera launched their Creative
major contributors to the commons on Flickr, Commons Repository with 12 videos shot in
license their online image collection under a CC Gaza under CC’s most open license, Attribution
Attribution-NonCommerical license license, pro- only (CC BY). Since then, Al Jazeera’s collec-
vide API access to this collection, and recently tion has grown, and their most recent footage
ran a CC-licensed remix contest with Blondie’s includes videos documenting everyday life and
Chris Stein. Needless to say, we were eager to culture in Iraq. Since all Al Jazeera CC reposi-
catch up with Shelley Bernstein, Brooklyn Muse- tory videos are available via CC BY, you can edit,
um’s Chief of Technology, and learn more about adapt, translate, remix or otherwise use them as
how they are using our licenses to open up their long as you credit Al Jazeera. We’re delighted
catalog of amazing work, shaping the role muse- to see such valuable and unique content being
ums play in a digital age in the process. added to the commons!
CC Newsletter — Issue No. 16
Read the full interview: http://creativecommons. Full story: http://creativecommons.org/weblog/
org/weblog/entry/20496 entry/20183
CC Licenses and the Haiti Relief Effort
In the immediate aftermath of the 2010 Haiti
earthquake a number of efforts were put in
6
Copyright Criminals: PBS by Nina Paley for her film Sita Sings The Blues.
Widely available for free online under a Creative
Documentary on Sampling Commons Attribution-Share Alike license, Sita
Copyright Criminals is a new documentary on has garnered $55,000 to date, an impressive
the rise of sampling, specifically in hip-hop amount for a film that has spent nothing on
music, and the cultural and legal effects it has promotion or advertising.
caused. From the Copyright Criminals Web site:
Copyright Criminals examines the creative and Full story: http://creativecommons.org/weblog/
commercial value of musical sampling, includ- entry/19321
ing the related debates over artistic expression,
copyright law, and (of course) money.” In con-
junction with the film’s development a contest
was held at ccMixter challenging community
members to sample select voice-overs from the
film to create an original track. Winner Dermes’
track Sounds that Sound good is featured on the
Copyright Criminals DVD as well as a compila-
tion CD featuring the other 12 top entries. All
of the tracks are available for free at ccMixter
under a CC Attribution-NonCommercial license
(CC BY-NC).
Full story: http://creativecommons.org/weblog/
entry/20204
“The Complete Guide to Google
Wave” under CC license
Gina Trapani and Adam Pash, editors at Life-
hacker, have authored a new guide to Google
Wave. A preview edition of The Complete Guide
to Google Wave is now available for purchase as
a DRM-free PDF. Trapani and Pash collaborated
using MediaWiki and are releasing its content
under the Attribution-ShareAlike license. This
means the book is compatible with Wikipedia
and free to share, sell, and reproduce online. A
full Japanese translation is already available.
Full story: http://creativecommons.org/weblog/
CC Newsletter — Issue No. 16
entry/19017
completewaveguide.com, CC BY-SA 3.0 US
Wall Street Journal on “Sita Sings
the Blues” and Profit Numbers
An article posted November 23, 2009 by The
Wall Street Journal reports on the profits made
7
CC News in Education
The Shuttleworth Foundation on
Search and Discovery for OER
CC BY as Default and Commercial
One of the issues that comes up repeatedly Enterprises in Education
when talking about open educational resources
(OER) is search and discovery. CC licenses pro- For those of you who don’t know Karien Be-
vide the legal basis for sharing OER, but there’s zuidenhout, she is the Chief Operating Officer
a large technical component to sharing, as well. at the Shuttleworth Foundation, one of the few
Publishers want to make sure their work is vis- foundations that fund open education projects
ible to users, and learners or educators need to and who have an open licensing policyfor their
be able to find resources relevant to the subject grantees. A couple months ago, Jane Park of CC
they’re interested in. Too often web scale search Learn (the division of CC dedicated to realizing
engines don’t suffice; the amount of OER com- the full potential of the internet to support open
pared to the entire web is small, so the infor- learning and open educational resources) had
mation you’re actually looking for is lost in the the chance to interview Karien, based in South
flood. We’ve created a resource, entitled “To- Africa, via Skype, to ask her about Shuttle-
wards a Global Infrastructure For Sharing Learn- worth’s evolving default license (CC BY-SA to
ing Resources” as a first step towards building CC BY), her personal stake in OER, and how
the interoperability to make OER discoverable, she envisions us (CC Learn and Shuttleworth)
but there is still much left to do. working together. She also gives insights into
three innovative open education projects they
Full story: http://creativecommons.org/weblog/ have a hand in: Siyavula, M4Lit, and Peer 2 Peer
entry/20675 University (P2PU).
Read the full interview with Karien:
“Python for Informatics” Open http://creativecommons.org/weblog/en-
try/18906
Textbook Remixed in 11 Days
Chuck Severance, clinical professor at the
University of Michigan’s School of Information, U.S. Dept of Ed Funds Bookshare to
recently published a new textbook in just 11
Make Open Textbooks Accessible
days because he was able to remix an existing
textbook. The book, Python for Informatics: Previously, the California Free Digital Text-
Exploring Information, is currently being used books Initiative resulted in 16 open textbooks
in his winter semester Networked Computing that were licensed under a Creative Commons
course. The textbook is based on the openly license allowing derivation. These books can be
CC Newsletter — Issue No. 16
licensed book Think Python: How to Think like a translated into other languages and otherwise
Computer Scientist by Allen B. Downey. Python modified to accommodate a wider range of stu-
for Informatics is available under a CC BY-SA dents. Recognizing the value, the U.S. Depart-
license.Severance explains, “the book is a cool ment of Education’s Office of Special Education
example of a situation where I’ve finally got to Programs has granted $100k to Bookshare, an
the ‘remixing’ bit of the Open promise.” online library for people with print disabilities.
Full story: http://creativecommons.org/weblog/ Full story: http://creativecommons.org/weblog/
entry/20559 entry/19362
8
CC News in Science
MichiganView Releases Remote
Sensing Data under CC0 Waiver
MichiganView is making available all of its more
than 93 Gigabytes of Landsat 5 and 7, and NAIP
imagery data in the public domain using the new
CC0 Waiver provided by Creative Commons. The
MichiganView consortium makes available aerial
photography and satellite imagery of Michigan
to the public for free over the Web. As part of
the AmericaView consortium, MichiganView
supports access and use of these imagery col-
lections through education, workforce develop-
ment, and research. CC0 (pronounced CC-Zero)
waives any rights in a dataset, ensuring that all
of the dataset is available to anyone without
encumbrance of any kind.
Full story: http://sciencecommons.org/weblog/
archives/2010/01/29/michiganview-releases-
remote-sensing-data-under-cc0-waiver/
Data Sharing on the Web
The February issue of Talis’ Nodalities maga-
zine focuses on data sharing and includes an
article by Kaitlin Thaney, Program Manager for
Science. Last October, Kaitlin joined Jordan
Hatcher, Leigh Dodds and Tom Heath to give
a four hour tutorial titled “Legal and Social
Frameworks for Sharing Data on the Web” at
the International Semantic Web Conference
(ISWC). The tutorial covered the legal and
social issues commonly found in data publish-
CC Newsletter — Issue No. 16
ing, using the Linked Data Cloud as a leading
example of how copyright restrictions, complex
licenses and lack of clarity can quickly exacer-
bate problems for data sharing efforts.
Talis Group Ltd., CC BY-SA 3.0
Full Story: http://sciencecommons.org/weblog/
archives/2010/02/05/data-sharing-on-the-web/
9
creativecommons.org
We rely on our supporters to continue our work enabling
stories like those listed above. Check it out —
Stay up to date with CC news!
Subscribe to our weblog:
http://creativecommons.org/weblog
Follow us on Twitter:
http://twitter.com/creativecommons
Donate:
https://support.creativecommons.org/donate
CC Store:
https://support.creativecommons.org/store
Join the CC Network:
https://support.creativecommons.org/join
Events:
http://wiki.creativecommons.org/Events
Subscribe to the CC Weblog:
http://bloglines.com/sub/http://creativecommons.
org/weblog/rss
http://google.com/reader/view/feed/http://cre-
ativecommons.org/weblog/rss
http://add.my.yahoo.com/rss?url=http://creative-
commons.org/weblog/rss
This newsletter is licensed under
http://creativecommons.org/licenses/by/3.0/ — please Editing
share and remix! Allison Domicone
CC Newsletter — Issue No. 16
Creative Commons was built with and is sustained by the Art Direction
generous support of organizations including the Center for Alex Roberts
the Public Domain, Google, the John D. and Catherine T.
MacArthur Foundation, the Mozilla Foundation, Omidyar
Network, Red Hat, and the William and Flora Hewlett Foun-
dation, as well as members of the public.
10
Cover: “Open: (CC)ool inside” © 2009 lairaja. Some Rights Reserved. Except when otherwise noted, this work is licensed under http://creativecommons.org/licenses/
by-sa/3.0/ph. This remixed image incorporates the following works (with their respective authors, titles and CC generic 2.0 licenses): Woody1778aís “COOL FRIDGE
MAGNETS the ultimate!!” http://www.flickr.com/photos/woodysworld1778/1471581776/ BY-SA; Abby Lanesí “rust and turquoise texture for layer” http://www.
flickr.com/photos/abbylanes/3346280502/ BY; Hamner Fotosí”DSCF6669” http://www.flickr.com/photos/jonathan_hamner/3385842982/ BY; martijn.munnekeís
“Geghard klooster” http://www.flickr.com/photos/martijnmunneke/3039856283/ BY; {Australia} wilf2ís “Sydney Opera House by night” http://www.flickr.com/photos/
wibbles/71164098/ BY-SA; Nagesh Kamathís “Schönbrunn Palace” http://www.flickr.com/photos/nagesh_kamath/3002472569/ BY-SA; L Gnomeís “Maidenís Tower”
http://www.flickr.com/photos/lgnome/2704434618/ BY, studiosmithís “Canonsburg Temporama Plate 02” http://www.flickr.com/photos/studiosmith/2538933343/
BY; Matthew Blackís “Grand Place” http://www.flickr.com/photos/matthewblack/4097161799 BY-SA; Sailor Coruscantís “Postcard Shot...” http://www.flickr.com/
photos/sailor_coruscant/3884061874/ BY; zkvrevís “Oborishte Park, Sofia, Bulgaria” http://www.flickr.com/photos/paracon/4186542869/ BY; Rick Harrisí “O Canada”
http://www.flickr.com/photos/rickharris/1621085453/ BY-SA; Dumbledadís “34 of 365: Me and my Richard Baxter Easter Island Head outtake” http://www.flickr.
com/photos/dumbledad/3019783779/ BY; Hector Garciaís “The Great Wall” http://www.flickr.com/photos/hectorgarcia/60970568/ BY-SA, lepiaf.geoís “Linen,
Texture” http://www.flickr.com/photos/ajawin/2242358989/ BY; amanderson2ís “One of the 40,000 items in the Gold Museum Bogota” http://www.flickr.com/
photos/amanderson/4155800774/ BY, cvanderís “Gold museum in Bogota” http://www.flickr.com/photos/cvander/3738762243/ and http://www.flickr.com/photos/
cvander/3738761071/ BY; Tomislav Medakís “iCommons Summit 2007 venues and Dubrovnik” http://www.flickr.com/photos/tomislavmedak/441300884/ BY-SA;
mcostís “Prague castle” http://www.flickr.com/photos/mocost/3762138339/ BY; celestehís “The little mermaid” http://www.flickr.com/photos/celesteh/1245049240/
BY; Alex E. Proimosí “Catedral de la Inmaculada Concepcion, Cuenca, Ecuador” http://www.flickr.com/photos/proimos/3964966114/ BY; Andrew®ís “Great Pyramid of
Kufu and Sphinx” http://www.flickr.com/photos/waldenpond/4237758518/ BY; timo_w2sí “Helsinki Cathedral” http://www.flickr.com/photos/timo_w2s/4219354919/
BY; kimdokhacís “La tour Eiffel” http://www.flickr.com/photos/kimdokhac/3527926739/ BY, galileo55ís “2009-06-06 028 D-Day Ceremony American Cemetery”
http://www.flickr.com/photos/arrighi/3631569612/ BY; Félixxxís “Old Tbilisi: Avlabar” http://www.flickr.com/photos/felix-khachatrian/3120893878/ BY; Wolfgang
Staudtís “Brandenburger Tor” http://www.flickr.com/photos/wolfgangstaudt/564171359/in/photostream/ BY, Redverís “Bonn - German flag” http://www.flickr.com/
photos/redvers/2452251951/ BY; Eric-Pís “Athens - Parthenon” http://www.flickr.com/photos/eric-p/3471531962/ BY-SA; An en Alainís “Tikal - tempel van de zon”
http://www.flickr.com/photos/reisverhalen/2073323/ BY; jimwís “aqualuna” http://www.flickr.com/photos/jimwinstead/376276592/ BY, rickycliphotoís http://www.
flickr.com/photos/rickycliphoto/2071634924/ BY; Bruce Tutenís “No. 84 M Castle Hill (Budapest), page 296, 1000 Places To See Before You Die” http://www.flickr.com/
photos/savannahgrandfather/366953108/ BY; voobieís “Wonder of the World - The Taj Mahal (1630 A.D.) Agra, India” http://www.flickr.com/photos/vinish/961853348/
BY-SA; informatiqueís “St. Patrickís Cathedral is the largest church in Ireland” http://www.flickr.com/photos/infomatique/3130941717/ BY-SA; MichaelTylerís “jerusalem-
IMG_1122.JPG” http://www.flickr.com/photos/lonelyplanetexchange/2461340168/ BY-SA; Sebastian Bergmannís “Fontana di Trevi” http://www.flickr.com/photos/
sebastian_bergmann/1437655697/ BY-SA, Sami Keinanenís “vesuvius pizza, napoli” http://www.flickr.com/photos/sami73/283987724/ BY-SA; woinaryís “Mt.Fuji from
Nashigahara(Fuji-Yoshida)” http://www.flickr.com/photos/woinary/3493577806/ BY-SA; Hyougushiís “Mt. Fuji (Gotemba Route)” http://www.flickr.com/photos/hyou-
gushi/2964031890/ BY SA; krebsmaus07ís “Saladin Monument” http://www.flickr.com/photos/koadla/3902965385/ BY; Wolfgang Staudtís “Luxembourg Neumünster
und Johanneskirche” http://www.flickr.com/photos/wolfgangstaudt/2232281937/ BY; Ze.Valdiís “Mosque Skopje” http://www.flickr.com/photos/ze_valdi/4174211089/
BY-SA; Tom Ravenscroftís “Former Worldís Tallest Building The Petronas Towers” http://www.flickr.com/photos/43391993@N03/4174893122/ BY; foxypar4ís “Fort St.
Elmo; Valletta, Malta” http://www.flickr.com/photos/foxypar4/3231131955/ BY, Glen Bowmanís “malta-222” http://www.flickr.com/photos/glenbowman/243432505/;
Michael McCartyís “Aztec Calendar at the Anthropology Museum in Mexico City” http://www.flickr.com/photos/k6mmc/2176537668/ BY; jurvetsonís “Kinderdijk”
http://www.flickr.com/photos/jurvetson/2716030714/ BY; Just chaosí “Tuatara” http://www.flickr.com/photos/7326810@N08/3649565690/ BY; Shiraz Chakeraís
“New entrance to Emirís Palace” http://www.flickr.com/photos/shirazc/130085354/ BY-SA; Bradley Jonesí “Statue outside of Viking Museum” http://www.flickr.
com/photos/bljfour/3922663073/ BY; einalemís “Macchu Picchu” http://www.flickr.com/photos/einalem/2343480254/ BY-SA; hellochrisí “The Ubiquitous Jeepney”
http://www.flickr.com/photos/hellochris/86769917/ BY-SA, yeowatzupís “Intramuros, Manila, Phillipines” http://www.flickr.com/photos/yeowatzup/181766632/ BY;
UggBoy ( have fun doing it )ís “The Palace of Culture and Science in Warsaw - Poland - Early 2010 - Wonderful and atmospheric! Enjoy more!:)” http://www.flickr.com/
photos/uggboy/4327377768/ BY; Bert Kís “Lisboa / Lisbon / Lissabon” http://www.flickr.com/photos/22746515@N02/4355153923/ BY; Joe Shlabotnikís “El Morro”
http://www.flickr.com/photos/joeshlabotnik/3255002040/ BY; Horia Varlanís “Bran Castle as seen from the south side” http://www.flickr.com/photos/horiavar-
lan/4277530076/ BY; Bruno Girinís “Entering the Fortress” http://www.flickr.com/photos/brunogirin/2200656344/ BY-SA; Mendhakís http://www.flickr.com/photos/
CC Newsletter — Issue No. 16
mendhak/3734292313/ BY-SA; OzMarkís “The Durians, Singapore” http://www.flickr.com/photos/ozmark17/3410903063/ BY-SA; dearbarbieís “Piran” http://www.flickr.
com/photos/dearbarbie/1622507570/ BY-SA; j27í “Nelson Mandela Square, Sandton, South Africa” http://www.flickr.com/photos/j27/468274039/ BY; m-louisí http://
www.flickr.com/photos/m-louis/2260318660/ BY-SA; Jian.Blancoís “El Madrid de los Austrias” http://www.flickr.com/photos/juanblanco/3063557132/ BY; Eimobergís
“107_0742” http://www.flickr.com/photos/eimoberg/215072292/ BY, Ruben Lagunaís “P3080138” http://www.flickr.com/photos/rlaguna/2325826275/ BY; Fr Antunesí
“Switzerland Luzern” http://www.flickr.com/photos/franciscoantunes/1207053430/ BY; ThisParticularGreg ës “Taipei 101” http://www.flickr.com/photos/thisparticu-
largreg/217576335/ BY-SA; Trodelís “Buddhist temple - Ayutthaya, Thailand” http://www.flickr.com/photos/trodel/3801975670/ BY-SA; Vlad & Marina Butskyís Image
#11329 (http://www.butsky.com) http://www.flickr.com/photos/butsky/305156189/ BY; az1172ís “London Tower Bridge Tone Mapping” http://www.flickr.com/photos/
az1172/2373835633/ BY-SA; Random Fotosí “Bagpipe busker” http://www.flickr.com/photos/mistyanddavid/2927042354/ BY-SA; Mark Heardís “Statue of Liberty”
http://www.flickr.com/photos/heardsy/2007458336/ BY; Marfisí “Ho Chi Minh Statue vor dem Rathaus in Saigon” http://www.flickr.com/photos/marfis75/400814342/
BY-SA 11